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自由定價電影系列
SET YOUR OWN PRICE SERIES


 

Black

 

 

女導演

Female Directors

 

 

青蛙

Frog

 

午朝門

Wuchao Gate

 

獨立新浪

INDIE "NEW WAVE"

 

 

自去年開始,影意志突破在電影院的一貫觀映場地,不時在 ACO 這 類文藝小店舉辦電影放映會,更經常請來導演及嘉賓,和觀眾作近距 離的交流。而有別於一般戲院的售票形式,我們更採取自由定價的方 式作放映,這種脫離商業片的性質,亦正好體現出獨立電影的精神。 在選擇作品方面,除了包括《小小的家》和《黑》這類與生活館合作, 有關農業的電影之外,更有《青蛙》、《女導演》以至《午朝門》這 些混合實驗性質,以 digital 新式拍攝手法製作的電影,必定給予觀眾 雙重嶄新的觀映體驗。

 

除此之外,作為一個讓欠缺較大資源的電影工作者獨立發聲的平台, 香港獨立電影節一向致力推廣年輕導演的獨立創作。而適逄今年多位 與我們曾經合作的導演,包括林森、陳梓桓、馬智恆、葉文希、蔡潔 鈴、黃瑋納及黃飛鵬等亦在 2014 年的鮮浪潮推出了最新作品,因此 我們便藉是次獨立電影節的機會,集合他們曾經在影意志放映過的電 影以及最新創作,讓大家一同為導演們的新舊作來一個回顧之餘,同 時討論一下現今一代創作電影的路向。

 

 

A new breakthrough has been carried out by Ying E Chi since last year. Instead of showing films in ordinary cinemas as usual, Ying E Chi has been organizing film screenings in literary shops like ACO from time to time. Directors and guests are often invited to engage in thought and idea exchange with the audience. What makes these screenings more special is their way of ticketing, which is founded on the principle of set-your-own -price in contrast to the profit-oriented nature of commercial movies, yet precisely reflects the spirit of independent productions.

 

Regarding the film selections, besides agriculture-themed films in cooperation with Sangwoodgoon, such as Small Home and Black, there are also experimental productions made with new digital filming techniques, like Frog, Female Directors and Wuchao Gate, all set to bring an extraordinarily spick-and-span experience to the audience.

 

Nevertheless, as an independent platform for low-budget filmmakers to voice opinions, HKIndieFF has always been striving to promote independent productions of young filmmakers. Many of our previous collaborative directors, including Lam Sum, Chan Tsz Woon, Ma Chi Hang Machi, Yip Man Hay, Choi Kit Ling Charlie, Wong Wai Nap and Wong Fei Pang, have put forward their new works in Fresh Wave 2014 simultaneously. We therefore make use of this film festival to put their previously shown productions and their new works in collection. Audience can hence have a retrospective study of the directors' productions along with a discussion of the prospective development of this generation.

 

 

 

 
 
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