傳媒工作者、文學雜誌編輯、藝評人。參與香港獨立電影《十年》(2015）中短片〈冬蟬〉的編劇和演出，此片獲35屆香港電影金像奬最佳電影及第22屆香港電影評論學會大奬推薦電影。2018年修讀倫敦金匠學院視覺人類學，現居倫敦。

Wong is a journalist, editor and art critic at various newspapers and magazines in Hong Kong and Asian media. She was a scriptwriter and actor in the segment “Season of the End” of the Hong Kong dystopian fiction anthology film Ten Years (2015), which was awarded the Best Film in the 35th Hong Kong Film Awards and Film of Merit in The Hong Kong Film Critics Society Awards . She studied MA in Visual Anthropology at Goldsmiths, University of London in 2018 and is currently based in the UK.

畢業於香港大學比較文學及法文系。紀錄片作品有《地厚天高》（2017）和《未竟之路》（2016）。作品曾獲得香港電影評論學會年度推薦電影、台灣國際紀錄片影展華人紀錄片獎評審團特別獎等，並入圍鹿特丹國際電影節等。現為導演、編劇、剪接。　

Graduated from the Department of Comparative Literature and French, the University of Hong Kong, Nora Lam is an award-winning director known for her documentary “Lost in the Fumes” (2017) and “Road not taken” (2016). Her works are widely celebrated with awards, including Hong Kong Film Critics Society- Films of Merit, Taiwan International Documentary Festival- Special Jury Prize. The film was also an officially selection in the International Film Festival Rotterdam. She is now a director, scriptwriter and editor.

香港視覺藝術，影像導演及創作人。曾於香港藝穗會舉辦首個個人畫展《扭曲》，2016年在大阪新世代藝術博覽會 (Unknown ASIA Art Exchange Osaka) 獲得藝評人推介獎。

2018年創辦網上影像平台《浪頻道》策劃及製作多個獨立短片及短篇紀錄片。

短片作品《被消失的》在香港電台舉辦的凝視香港短片比賽2019獲得冠軍及最佳導演 ; 另一作品《罪夢犯》獲得香港人權藝術獎2020亞軍 ; 最新的藝術企劃《末日亭》將公開投稿的末日留言影像化，持續至今。　

Hong Kong visual artist, video director, and creator. His first solo gallery debuted in The Fringe Club in Hong Kong showcased the “扭曲” Collection. He received Reviewers Award in 2016 at the Unknown ASIA Art Exchange Osaka.

“Wave Channel”, was launched in 2018, an online video platform curating and producing many indie short films and documentaries.

The film “被消失的” put him in first place at the Filming Hong Kong competition hosted by RTHK. He also won the award for Best Director. The other film “罪夢犯” won him second place in the Hong Kong Human Rights Arts Prize 2020. The most recent is “末日亭”, an ongoing art project with open submission, visualising the spoken words on doomsday.

於浸大傳理學院,主修電影。畢業後花了五年青春遊歷世界,更自覺渺小,企圖回到創作當中尋找意義。

首作〈大龍鳳〉即入選鮮浪潮短片展等多個海內外電影節、並獲「台灣酷兒影展 - 新酷子獎」及「張國興傑出青年傳播人獎 - 金獎」。繼有〈天還未亮〉、〈染〉等劇情作品。近年分別憑〈在漂流地〉、〈絲絲〉連續兩屆獲「創+作」最佳編劇獎等多個獎項。獨愛遊走偏鋒,期望發掘更多敍事可能。　

Graduated from the Academy of Film in Hong Kong Baptist University. Green Mok’s first Freshwave short film The Dragon and Phoenix Show (2012) has been selected in film festivals across asia and earned The New Queer Award in Taiwan International Queer Film Festival. His latest works The Drifters (2019) and Queens (2020), which were funded by the Microfilm Production Support Scheme (Music), received the Best Screenplay Awards in two consecutive years. His works also include The night is still young (2018) and The Coloring (2019). His next project will be a music video about a Gender Queer person.

生於香港，長於香港。2019年畢業於英國薩塞克斯大學，主修媒體實習並且完成電影專業訓練計劃（電影製作）。她重視故事敘事，並將其技巧與哲學融入新聞以及廣告，同時以自由身參與導演、藝術、以及編輯工作。最近她回歸電影業，協助導演以及連戲剪接。在撰稿以及執導方面，她一直把握每個發揮所長的機會。

Born and raised in Hong Kong. Graduated from the University of Sussex, UK major in Media Practice and completed Film Professional Training Programme (Film Production) in 2019. Believes strongly in story-telling and philosophy, she has worked in the fields of journalism and advertising, while also freelancing on short films as director, art and editing. Most recently she returns to filmmaking in the role of assistant directing and continuity. All the while she tries to write scripts and directs them whenever possible.