瘋狂的邊境
Donbass
導演 Director : 沙基羅斯尼薩 Sergei Loznitsa

德國、烏克蘭、法國、荷蘭、羅馬尼亞 Germany, Ukraine, France, Netherlands, Romania|2018|121 分鐘 min|彩色 Colour|DCP
俄語、烏克蘭語、英語對白,中英文字幕 In Russian, Ukrainian, English with Chinese and English subtitles

17/1 (五 Fri) 7:30pm

香港藝術中心古天樂電影院
Louis Koo Cinema, Hong Kong Arts Centre

購票 Ticketing

沙基羅斯尼薩再次探尋近年烏克蘭政治危機,以十三個荒謬怪異的段落故事,遊走紀實與虛構的灰色地帶,走訪新俄羅斯頓巴斯各個據點,勾畫親俄分子佔領他城的日常片刻。在凜冬烈火的廣場革命後,俄羅斯介入頓巴斯內戰的武裝衝突,這土地隨即變得荒蠻,進入幾近無政府狀態,軍人肆虐、民眾鶳鳥。鏡頭帶觀眾來到臨時演員攝製假新聞的「片場」,轉頭又見報社開會被人潑糞抗議的實況,軍人隨便掠取人民的私人財產,炸彈地雷戰火隨時大駕光臨,總之政局動盪、民不聊生。電影記載光怪陸離的戰爭社會現象,每段故事如接力比賽般交接,處境篇幅不一,態度各異,有喜有悲有痴狂有暴戾。導演再次運用其擅長的擬紀錄片手法及長鏡頭,更嘗試將偽紀錄與現實荒謬並存,想像此城禮崩樂壞的黑暗中還會否有一絲光景。2018年榮獲康城「一種關注」最佳導演獎。

Once again, Sergei Loznitsa has set turned his camera to the political crises in Ukraine. In these thirteen bizarre segments, threading between fiction and non-fiction, the director explores Novorossiya’s Donbass and tells the stories of life under Russian occupation. In the aftermath of Euromaidan, Russia has interfered with the war in Donbass, leading to political chaos that have given rise to abuse of power and vigilante violence. The film shows us how fake news is made, how feces is literally fling across a newsroom, how soldiers could rob everyday people… and many other nightmarish stories in this political hellscape. As the film chronicles the absurd social reality, these wildly different vignettes follow one after another like a relay race of madness and farce. Skilled in the delicate art of mockumentary and long takes, Loznitsa carefully combines pseudo-documentary and ridiculous reality into one intoxicating concoction that might just offer a sliver of hope in this dark age. Loznitsa won the Un Certain Regard Award for Best Director at the Cannes Film Festival in 2018.

2018 康城影展一種關注最佳導演
Un Certain Regard - Directing Prize, Cannes Film Festival 2018

2019 烏克蘭電影學院獎最佳電影、最佳導演、最佳劇本
Best Movie, Best Director, Best Screenplay, Ukrainian Film Academy Awards 2019

2018 印度國際電影節金孔雀獎
Golden Peacock, International Film Festival of India 2018

沙基羅斯尼薩 Sergei Loznitsa

生於巴拉諾維奇,後來在烏克蘭的基輔成長。1987年畢業於基輔理工學院的應用數學系後,前往莫斯科就讀莫斯科國立電影學院,並於1997年畢業。自1996年來執導超過二十部獲獎的紀錄片以及四部劇情片。第一部劇情長片《你快樂我大鑊》(2010)首映於第六十三屆康城影展的正式競賽單元,其後憑着《霧裏人鬼神》(2012)再度進入競賽單元並獲得國際影評人聯盟獎。紀錄片《佔領廣場》(2014) 再次入選康城影展,在特别放映單元中舉行世界首映。《鐵幕溫柔女子》(2017)第三度進入康城影展正式競賽單元;次年完成劇情片《瘋狂的邊境》(2018),榮獲為第七十一屆康城影展「一種關注」的最佳導演獎。其他作品《蘇維埃大事件》(2015)、《莫斯科大審判》(2018)與State Funeral(2019)亦入選威尼斯影展的特別放映單元。在2013年成立了電影製片與發行公司ATOMS & VOID,活躍於製作紀錄片與劇情長片兩個領域。  

Born in Baranovici (USSR) and grew up in Kiev, Ukraine. After graduation from Igor Sikorsky Kyiv Polytechnic Institute with a degree in Applied Mathematics in 1987, he studied feature filmmaking at the Russian State Institute of Cinematography (VGIK) in Moscow and graduated in 1997. He has been making films since 1996, and by now he has directed beyond 20 award-winning documentaries and 4 fiction films. His feature debut My Joy (2010) premiered in the main competition at the Festival de Cannes, and was followed by the feature film In the Fog (2012), which was awarded FIPRESCI prize at the same festival. His documentary Maidan (2014) had its world premiere at a Séance Special of Cannes Film Festival. In 2017, he presented his third feature A Gentle Creature (2017) in the competition of the Cannes Film Festival, and in the next year he was awarded Best Directing of the Un Certain Regard section of Cannes Film Festival for his fourth feature film Donbass (2018). His other feature-length documentaries, The Event (2015), The Trial (2018) and State Funeral (2019) were presented at the Special Screenings of the Venice Film Festival. He founded a film production company ATOMS & VOID in 2013. Sergei Loznitsa continues to work both in documentary and feature genres.