香港、日本、比利時，三地紀錄片導演的鏡頭聚焦1997到2019的香港。

2019年夏天，吶喊聲響徹街頭巷尾，運動的頌歌亦隨之揚起。日本導演堀井威久麿Ikuma Horii剛好身處其中，透過他異鄉人的視點, 勾勒出一幅獨一無二的《香港画》。「被時代選中」的三位年輕人，共歷一場香港與台灣時空交錯的對話，一起《尋找，1997》。《傾城》追蹤年輕社運少女黃子悅備戰民主派初選，盼由街頭抗爭走進議會，傾力捍衛我城。鏡頭紀錄他們的心路歷程—— 一路走來，荊棘滿途，唯意志依舊堅定。《榮光燦爛》把鏡頭聚焦《願榮光歸香港》的創作軌跡，見證音樂如何連結社會，為運動留下印記。即使或已成「禁歌」，它仍長存於各人心中，永不停奏。到底是甚麼牽動著無數素未謀面，身份、角色迥然不同的人，在這場運動中共同進退？世界再壞，那股敢於站在當權者對立面的勇氣也絕不泯滅。四部短片捕捉的身影均為著同一個地方，同一個目標奮鬥。

Documentary directors from Hong Kong, Japan, and Belgium, focus their lens on Hong Kong from 1997 to 2019.

In the summer of 2019, howls for change reverbrated through the streets as songs of movement ascended. Japanese director Ikuma Horii finds himself in the thick of it, so he sketches the unique Hong Kong-Ga from the perspective of an outsider. In Looking for 1997, three “chosen” young people engage in a dialogue that transcends the space and time between Hong Kong and Taiwan. Insurgent follows young female activit Wong Ji Yuet as she prepares for the pro-democracy camp’s primary election, hoping to bring the street protests to the legislature. The film documents these determined activists’ progression in face of unsurmountable obstacles. Glory to Hong Kong focuses on the making of the titular song, which has been an instantly recognizable staple of the movement even though it has since been “banned.” But what is the underlying motivation that causes these complete strangers from all walks of life to come together for this movement? No matter how bad the world has become, the courage to stand up against those in power will never be smothered. These four short films feature people who are all striving for the same place and the same goal.